Why I hate La La Land

by Victoria Curran

Senior Editor Victoria Curran’s pre-Oscars rant…with lots and lots of spoilers!

Yeah, yeah, yeah: It swept the Golden Globes. It’s stylish, entertaining and romantic. Emma Stone is adorable. It’s an “homage” to the classic age of the Hollywood musical. I get it. How could anyone not love the romantic musical “La La Land”?

Well, I am one of those who not only didn’t love it, I hated it. With a passion.



Let’s be clear: I love classic Hollywood movies and I really love musicals (I’m a Fred over Gene gal). I even love musicals that are politically incorrect by today’s standards…I mean, who doesn’t love the toe-tapping number The Sobbin’ Women from “Seven Brides for Seven Brothers” based on the rape of the Sabine women?

All to say, I was prone to liking “La La Land” simply because it’s a musical. Although it’s beyond me how anyone can compare the “homage” (that high-falutin’ word I keep hearing!) dance sequence in “LLL” with the 16-minute dance sequence in “An American in Paris”. I mean, Gershwin! Gene Kelly…Leslie Caron!! “La La Land” has nice music, dancing and singing that’s…better than mine…but that’s about it. The less-than-magical dance into the stars reminded me more of a high-school production of “Peter Pan”.

The music and the dance might explain why I got bored and wondered why we weren’t next door watching “Star Wars Rogue One”. But why did I loathe the film? I loved Emma Stone and Ryan Gosling in the movie “Crazy, Stupid Love”, which had high stakes, huge tension and lovely, fresh humor and chemistry. But I didn’t get the feels this time. And I suspect it’s the somewhat mundane plotting and the characterization rather than the acting.



So let me put the “homage” to classic Hollywood musicals argument aside and look at the story.


 Mia has been trying to make it in L.A. as an actor for years. She meets Sebastian who is doing nothing about his dream of opening a jazz club but is instead getting fired from a gig playing music he hates. They fall in love and Sebastian becomes the driving force behind Mia going after her dream by putting on a one-woman show. This fails miserably after one performance and Sebastian doesn’t show up because he’s making a decent living by playing more music he hates…and he blames Mia for this because he thought she wanted him to be successful.

Contrivance: It turns out Sebastian’s idea for Mia did work—what are the odds?—and a casting director wants to see her. But after years of hard work, she’s given up at exactly this point. So it’s up to Sebastian to rescue her and go tell her about the audition that he made possible. It’s now up to her, he makes it clear: she can win or she can quit, he’s done all he can. Exit hero.

Mia rallies because of Sebastian’s hard talk and wins her big break. And leaves our poor hero, the one she owes everything to. He can now afford to buy the jazz club of his dreams thanks to the soul-crushing job he blamed on Mia.  He is alone, but he has won. And the two can have a dream sequence together where her new happy life with husband and child transforms into imaginary happy life with him and their child. End with wistful heroine leaving with real husband back to real child, and hero at the piano.



In case it wasn’t clear in that synopsis, I didn’t like Sebastian’s growth arc, and I didn’t appreciate Mia’s breakthrough coming as a lucky coincidence (agent at one-night show after years of auditioning for agents) because of Sebastian’s idea. Or that she suddenly loses her long-term motivation and only regains it when Sebastian reminds her of what’s important.  (Plus, I didn’t appreciate Mia being wistful about him at the expense of her current husband and child. And hero coming across—only to me?—as a pretty self-satisfied single guy.)

I can only describe my reaction to the movie as hero-resentment (an emotional reaction similar to the one I had after reading “The Bridges of Madison County”). The heroine seems to need more of a journey than the hero…because of the hero…and that got under my skin.



Unlike my colleagues, I don’t see the character arcs as equal: that both hero and heroine achieve their goals only because of what they got from each other. Maybe it’s because I was bored, but I missed a moment where the hero (or possibly the filmmaker) realized that it was because of the heroine that the hero was able to open his jazz club. That this second gig he unhappily took was different from the first gig he unhappily took, and the heroine truly was responsible for the difference: and it opened up the world for him. Instead, she was surprised that he took the gig, and even more surprised that he blames her for it. Was it his misunderstanding of what she wanted him to do that got him where he needed to go? Is that her contribution to his having achieved his goal? I didn’t find a misunderstanding satisfying development.

I grappled with my negative reaction to “La La Land” and the one-sided character growth is the best reason I can come up with. It made me resent Sebastian and his achievements for himself and for Mia. Not to mention that the world of acting and music came across as dull and mundane–not nearly as high stakes and exciting as “All That Jazz” or the classic Hollywood musicals.



Bring on the rebuttals! And watch “La La Land” sweep the Academy Awards this Sunday night. (Sigh.)


19 replies on “Why I hate La La Land”

I’m simply not interested enough to watch it. The promos failed to hook me with any *primal* need or strong *theme.* The fact that it won all kinds of awards mean nothing to me because of this.

Never even heard of this movie. Was it really in theaters? It doesn’t sound good and I love the old classic musicals. Doris Day, Fred and Ginger, Buddy Epson, Gene Kelly…the list goes on and on. But I have yet to see a recent musical that moves me much. Sorry! sounds like we didn’t miss much, Victoria!

Full disclosure–Victoria and I work together at Harlequin! I’ve been hesitant to go see this movie despite the fact that I generally love musicals though more of the stage variety than onscreen. And the reviews have been positive. But after thinking about the plot–no not for me. If a writer had pitched a story like this for one of our series I would have also said no. Let’s consider another movie. I just saw Manchester By the Sea–good realistic story with some great moments. There’s no real happy ending such as we like to see at Harlequin but that’s okay!

Oops, I didn’t mean to scare you off, Birgit! You weren’t supposed to read the spoilers if you haven’t seen it… Meanwhile, Don in our PR department just told me “Good post”. “Don’t agree with you, but good post.” Hmph.

For LLL, it seemed the director and writers stopped worrying about the story after signing Ryan up for the film and for piano lessons. They had a bankable star, and figured the weak story would pass, we wouldn’t notice. I like “The Nice Guys” more.

Agree with you on that one, Yvonne. (I haven’t seen The Nice Guys. Waiting for it to come on Netflix…but Ryan’s dropped a bit in my heart post LLL.)

I’m probably the only gal in America with this opinion, but Ryan Gosling (while I’m sure he’s very nice and a fine actor) just doesn’t do it for me in the “hot guy” arena or as a romantic lead. *ducks to avoid rotten tomatoes hurled my way* So, yeah. While I like Emma Stone, I just didn’t have any desire to see this one. Appreciate your “editorial” insiders perspective on why the plot didn’t work for you, though. Good points for all us romance writers to remember in our own stories. Thanks! 🙂

Traci!!! He’s a cutie-pie! (Have you seen Crazy, Stupid Love? Don’t judge him until after you’ve seen that. Of course, if you already have, ignore me. You’re entitled.)

I have not seen Crazy, Stupid Love, *adds to TBW list*, though I’ve heard it’s good. I know, I know. I like I said, he’s a nice guy, I’m sure. And a good actor. I just like them a bit more…rough and bad-boy, I guess. Or British. I have a soft spot for British men. 😉

I’m with Victoria on “Seven Brides”. Bless Your Beautiful Hide and Lonesome Polecat? What gets more romantic than that? Except for maybe a rough-edged guy who wants to learn to go courtin’.

I loved Seven Brides 1954 movie even if it was corny. I was so in love with Howard Keel and his awesome voice. I like Jane Powell’s spunky character too. A true classic even without the dance scenes.

I agree, Chrissie. He was great in “Showboat” and “Kiss Me, Kate” as well. And the dancing in “Seven Brides”, what a cool feat to mix ballet and chopping wood. I’m a huge musical fan, but I went next door and watched “Rogue One” over LLL.

I have a fondness for “Seven Brides for Seven Brothers” too! Great singing from Howard Keel. Just fun overall!

Thank you. I considered buying this when it came on DVD because I love musicals (love John O’Reilly singing Cellophane Man in the movie Chicago) even though I had no idea what the movie was really about. You’ve summed up the plot and now I’ll keep my money to go buy another Harlequin book.

I couldn’t wait to see LLL. I love musicals. Then a friend told me it doesn’t have a HEA and I said, “Not for me!” Thanks for your review, Victoria. No way am I wasting time at this movie

Neat exposition of a floppy plot.
Where you cheering on Oscar night when LLL was called back from a best picture award? That was dramatic!

La la land was amazing. It transported me into a dream world that I thought only existed in my head. I likes that Ryan and Emma are not that good at singing, it adds a sense of realism. It makes you believe that dreams can come true for ordinary people.

I saw the same mistakes in LaLa that I saw in those bloated, overlong spectales of the the 1960. One was not introducing the principal characters AFTER making the audience watch a gigantic production number with hundreds of people. Who are they? Why am I expected to watch them? Are they important to the plot? (The opening reminded me of the movie “Finian’s Rainbow” a movie in which hundreds of people danced down a hill. For-ev-er. And that movie starred *Fred Astaire*! In real movie musicals, people that the plot had led us to care about danced in twos, or were showcased with chorus in the background. Second, the lead characters can’t sing, and their dancing invariably involved making the same six moves over and over to dreamy music, and Stone’s wearing a flowing dress. Nothing snappy, or even fast! Just that dreary woo-woo, ethereal, six-move dance. Third, the leads can not sing or dance. What? And don’t tell me it’s for realism. That went out the window with the cockamamie traffic dance. And every song seems like the same whiney song: “He wha, wha, wha, and so I wha, wha, wha.” Finally, his playing those same six notes over and over and over again. Why? Was it the beginning of a song that he finally finished at the end? Nope. He plays them then, too. I sat through it in 15-minute segments over the course of what seemed like 700 years. I loathed this movie, but watched it because a long-distance friend of mine sent me the gift of a movie pass. “Go see this movie! People have been cured of fatal illnesses after watching it!” Loathed it. It insulted me.

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